Picking music for a burlesque performance
Music. It’s one of the cornerstones that makes and breaks a burlesque act. For the audience it’s often the hook into your performance. And from a producing perspective, it’s one of the first things I consider when I’m building a potential lineup for an event.
So how do you make sure your act connects with a crowd? Or that you don’t end up in the ‘maybe’ pile when you are approaching producers or clients for events.
Tip #1 - Look beyond Postmodern Juxebox
How great is Scott Bradlee, right? I use a lot of these mixes in classes and workshops. It’s a beautiful ease into different styles of music by using pop songs in different formats and styles. It’s no surprise that it’s so popular with burlesque performers.
But that’s the kicker. It’s so popular. In every show I produce, each application will nearly always have a PMJ song in the mix. And as much as I like it, it’s not in the audience’s interest to hear this style 6 times over. As a producer you are constantly walking the line between thinking about having a good, dynamic mix of skills and experiences with the performers and having an interesting experience for the audience that keeps them coming back again and again.
To me, having varied and interesting music is just as important as having varied and interesting performers.
Tip #2 - Try to steer clear of the Top 40
Make using pop songs the exception, not the rule. If you are performing to a song that is really ‘hot’ at the moment or really popular, you’ve got to be really seasoned. In my humble opinion it’s satirical and comedic acts that succeed. Without a lot of thought or experience, these acts otherwise can run the risk of presenting like a wannabe backup dancer for MTV.
Similarly, it’s also good to look beyond the classic burlesque albums and burlesque favourites like Harlem Nocturne, Honey Rock and Night Train. Consider them the Top 40 of the burlesque world.
Tip #3 - Don't forget about length
The question newer performers often ask me, ou likely aren't going to be dancing to the entire song in your next performance. But you also want to choose a song that can be edited down in a way that doesn't take away too much from it. It's also important to select the right sections of the music to play during your performance. You don't want to edit a song, only to have it sound funny or awkward during your performance. Rather, you want a smooth transition throughout the whole piece, from start to finish. You may even want to hire a professional editor to ensure you get the best quality music.
Also, if your dance routine is relatively short, avoid a medley. It's too confusing to the audience and hard to choreograph. Instead, focus on one piece of music.
Tip # 4 - Be authentic and true to yourself.
I’m now at the part of the blog where I run the risk of contradicting everything I’ve just said. Ultimately, there’s no sure fire way to know that your musical taste will connect with everyone - the producer or the audience.
If in doubt, be authentic and true to yourself. As you build up your brand or your business in burlesque, people will come to know you for your particular style. So it is important that you are true to what is appealing and resonates with you - rather than picking something you think other people will like. If you connect to your music and it moves you, my best advice is that the audience will pick up on this. So don’t choose an obscure free jazz score just because you think that it’s different. Pick something that helps you convey your mood, narrative or arc. Ultimately, if you are feeling it I think the audience will too.
Do you agree? How do you pick your music currently? Do you have some tips on making sure you aren’t getting stuck in a rut? Pop your thoughts in the comments below - let’s share and learn!